bis aufs messer mailordernews 08/07
Verfasst: 11.08.2007, 15:05
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7“
ACTS OF SEDITION crown victoria 7" (bloodtown records - This is their new 7" on bloodtown records after a full length and split w/ Bafabegiya. Acts of Sedition waste no time greeting the listener. They open up with some screams and a distorted guitar. This 3-piece Oakland punk rock band are not melodic or soft. They definitely pack a punch with their fast tempos, superb drumming, constant screaming, and really catchy chord progressions. Hell, they even experiment with some really strange bass effects. 6 new songs recorded by at ATOMIC GARDEN ... straight in your face.) 4.00
BATHTUB SHITTER/ JAPANISCHE KAMPFHÖRSPIELE - Split 7" (relapse – slimewave part#4 - part 4 of the slimewave series on relapse) 5.00
BLACK WIDOW come to the sabbat 7" (earmark - classic 7" by the British original hard-prog masters of doom who inspired a generation of doomsters until today. Features Jim Gannon, later of FOX fame.) 5.00
Casiotone for the Painfully Alone - Graceland 7'' (rococo - "a limited edition (500 hand-numbered copies) seven inch, due October 31 on Rococo Records. It features a cover of Paul Simon's "Graceland", a Xiu Xiu remix of "Casiotone for the Painfully Alone in a Yellow Shirt" from the CFTPA album 2003 Twinkle Echo, and the B-side "Sunday Street"." - pitchforkmedia.com, full color printed sleeve, on black vinyl.) 5.00
CURSED Blackout At Sunrise picture 7" (goodfellow - Chris Colohan (Left For Dead, The Swarm, Ruination), Nathan McMasters (Haymaker, Left For Dead) and the rest of Toronto's Cursed once again push their own envelope with two unreleased tracks of doomy crossover punk/metal and a cover of the track "Hawaii," originally written by the influential Canadian band Kittens. Now available on vinyl.) 6.50
K.K. Rampage- Sides E & F 7'' (rococo - Who is KK Rampage? They're the band that crashes your favorite bands' show, throws powdered sugar everywhere, pukes on it and then rolls around in the disgusting puke paste. They're the band that knows what high school girls were made for. They are the holocaust. What is the Side E & F 7inch? Their first true sell-out effort. Recorded by the man they call “The Next Steve Albini”, Sides E & F is the heaviest record this side of 1977. It not only continues the amazing growth KK has shown since replacing the original drummer, but also takes it to a startling new level. Louder than sound and brighter than the sun, this record will blast you through the gates of Valhalla. Imagine Sun Ra crossed with a gasoline fire, imagine The Beatles... actually in a gasoline fire. This record shows you that just because it’s violent, misogynistic and heavily drugged, that doesn't mean it can't be overwhelmingly beautiful. ltd to 300) 5.00
KNAPSACK true to form/ effortless 7" (alia records - two killer songs by this emo outfit from the mid90ies. During their time together they have helped establish a new genre of music and influenced a group of younger bands that have recently gained attention. Nevertheless, even while being tagged "Emo Core" and being a part of the post-hardcore scene from the beginning, they have always been outside of the boundaries of the Emo sound and have many varied influences to their music. "I don't like to call what we do 'emo core'" states singer/guitarists/songwriter Blair Shehan, "I think we make dark, hard-rocking music with a hook and varied dynamics.) 4.00
LES SAVY FAV Accidental Deaths 7'' (rococo records. Back in stock. Songs include: 'Hit By Train', and 'Hit By Car' , 200 copies on dark green vinyl, 800 on black vinyl.) 5.00
PROMISE RING boys and girls 7" (jade tree - Music on one side, gnarly 'etching' on the other. Unwound tears through their early material with the ferocity they were known for. Essential.) 4.50
ROADS TO SPACE TRAVEL Before Before Now 7" (desoto - amazing 7" on desoto -- band reminds me on a mix of Jawbox and Dismemberment Plan. Two Amazing songs) 4.50
STIGMATICS s/t 7" (dischord - All-female band from DC which reminds me of early Fire Party (esp. the singer); DC post core in the early 90's Dischord style, quite rough but also a bit chaotic and a lacking sense of cohesion.) 4.00
UNWOUND s/t 7“ (gravity - Music on one side, gnarly 'etching' on the other. Unwound tears through their early material with the ferocity they were known for. Essential.) 4.50
WE THE PEOPLE Time To Operate 7" (stop whining - Featuring Check of Black SS on vocals, NYC's We The People blend old-style American hardcore with UK-influenced street punk to create a raw sound akin to that of 86 Mentality.) 4.50
8“
Panicsville and Prurient - Rubber Baron 8'' (rococo - Collaboration 8" on opaque red vinyl with screened black on black chipboard, limited to 300 copies.) 11.00
10“
ADOLESCENTS Welcome to Reality 10" (frontier - Now available on a 10" EP with the three tracks from the 7" EP (still available) plus the addition of "Richard Hung Himself," originally recorded for the EP, but never mixed down until The Complete Demos album was compiled. The picture sleeve looks the same, except that it's a 10" jacket rather than a fold-over sleeve. The first pressing is on white vinyl.) 9.50
SLS3 - Con La Venda Hacia La Pared 10" (back in stock - "It is a 10" self released by the band, and I am helping them to distribute it because we are friends. They are a kind of band like Ekkaia but more focused in the emocore sound and with some Envy touches. It has members from Hongo, Destierro, Asfixia and Black Panda. Anyway you better listen to them to know what they do.") 9.00
LP
ALLEGIANCE Desperation LP (rivalry - With its sophomore full-length, "Desperation," Allegiance has tossed much of its youthful idealism aside and embraced a stripped down, bare bones, all-out attack on the listener instead. The album embodies the weight of frustration that comes from giving everything you've got, only to be left with an unsatisfying vacuous feeling of what to do next. Recorded with Roger Tschann at Grizzly Studios (Look Back And Laugh, Lights Out, Never Healed), this album is simply dirtier, grittier, and nastier. Colored wax) 12.50
APPLESEED CAST Low Level Owl Volumes I+II 3xLP (gilead media - In 2000, The Appleseed Cast created something that would soon change the face of indie rock as all had come to know it. Produced by Ed Rose (Limbeck, Get Up Kids, Casket Lottery, Coalesce, Forstella Ford, etc!) and released on CD by Deep Elm in two separate volumes, "Low Level Owl" created a genre; it set a standard that no one could deny. For the first time these two volumes are presented together on vinyl, in their entirety, in a gatefold 3xlp with revamped artwork. Strictly limited to a one time pressing of 1000 copies, of which only 600 are available to stores. For five years fans of The Appleseed Cast all over the world have been begging for this. Now they can sleep soundly, for their wishes have been answered.) 26.50
BJORK, BRANT & THE BROS - Somera Sol LP (duna - Brant Bjork . . .desert boogieman decided to find a band to back his trip. The Bros is what they’re called . . .The Bros are what they are. Dylan Roche on bass, Cortez on guitar, and Alfredo Hernandez formerly of Kyuss and QOTSA, on drums. “Make no mistake . . . we’re a real band” Brant says. Musically speaking The Bros bring it. Organic Rock. It grooves. It Flows. It’s psychedelic. It’s tough. It’s beautiful. It’s Classic. The future is now and Brant Bjork and The Bros are here. Brant Bjork hails from Palm Desert, California, where he began gigging at the age of 13. By high school Brant had begun Kyuss with locals Josh Homme, Chris Cockrell, (later Nick Oliveri) and John Garcia. Kyuss was signed to Elektra and became the first desert rock band to achieve international success by spearheading a musical movement that brought heavy and psychedelic sounds back to rock and roll and served as a prototype for all “desert/stoner rock”. In 1993, Brant left Kyuss and moved to Humboldt to flip pizzas and play soccer. Too much rain moved him back to his natural habitat where he started an independent record label, EL CAMINO (now DUNA RECORDS); played drums in hardcore punk band De-Con; and played guitar with desert legend Mario Lalli in Fatso Jetson. In 1996, Bjork hooked up again with Homme, to begin the DESERT SESSIONS saga and work on what became Queens Of The Stone Age. However, Brant decided to take the road less traveled and rock with his surf buddies Fu Manchu, an adventure which took him into the studio for five records and around the world in four years.) 18.50
BUILT TO SPLILL you in reverse DLP (warner re-issue Built to Spill haven't released an album for five years, and the time off seems to have rejuvenated the band -- You in Reverse is full of fire and energy. The bandmembers play with a thrilling blend of abandon and sensitivity on this mix of accessible guitar rockers, twisting and turning guitar workouts, and somber balladry with enough intelligence and emotion to put groups half their age to shame (and by the looks of the gray in their beards, they are getting up there). Many of the songs on You in Reverse are midtempo ballads, some quiet and autumnal ("Traces"), most trippy and bursting with wild and dramatic guitar solos ("The Wait," "Gone"). All of them are quite heart-rending, with Doug Martsch's melancholy everyman vocals and the emotion (in his voice but especially in the guitars) flowing like tears from the speakers. Most of the tracks also feature spiraling guitar solos and climaxes that conjure up images of the bandmembers on-stage at an outdoor stadium jamming their beards off as the crowd goes bananas. These songs are impressive, but the album really shines on the tracks that boost the tempo. "Conventional Wisdom" is a raging rocker that rides an inspired guitar melody into alt-rock guitar nirvana, sounding like the best tune Dinosaur Jr. never wrote (although those slackers never would have thrown a chamber music-inspired instrumental bridge into the middle of a song before freaking out with an epic solo). "Mess with Time" charges ahead like an angry rhino, kicking up guitar sparks and sounding a lot like classic Wipers in the process. Best of all is the amazing "Goin' Against Your Mind," an almost nine-minute guitar explosion that kicks off the album in breathtaking style. By the time it's through playing, you'll be hard-pressed to imagine a way the rest of the album could stand up to its intensity and drama. That the record does manage to acquit itself superbly is quite an accomplishment. Though there are no great surprises on You in Reverse, it is one of Built to Spill's strongest efforts, and anyone who has followed their career knows that this is high praise indeed. ~ Tim Sendra, All Music Guide) 22.00
BUILT TO SPILL Keep It Like A Secret DLP (warner re-issue - Perhaps to squelch the idea that Built To Spill were more about guitar histrionics than songs, the band's 1999 follow-up to Perfect From Now On was crammed full of pop songs, each one a continual surprise brimming with invention. As a songwriter and guitarist, Built to Spill's Doug Martsch has "a firm background in remembering," as he sings in "Bad Light," on the band's beguiling new album, Keep It Like a Secret. Martsch's zigging, zagging vocal melodies and explosive, loud-soft-loud hook dynamics are right out of the Pixies and Husker Du song manuals. There are traces of Lou Reed and the hyperwriting of '66 Bob Dylan in Secret's lyric mix of run-on, conversational) 22.00
BULIT TO SPILL Perfect From Now On DLP (warner re-issue - The band's third album and first for a major label sees them sacrificing none of their signifying elements of guitar attack and melody. If anything, the band drifts further into space with tracks such as the stunning, nine-minute "Untrustable." Far from the simple pop of earlier releases, this is the sound of one band expanding the horizons of indie rock. Did progressive rock get a bad rap from the post-punk generation? Lately, everyone from instrumental outfits such as Tortoise to four-track whiz kids such as Olivia Tremor Control has been reinvestigating the world of the epic song suite and the mind-twisting tempo change – with a vigor that suggests that maybe Rick Wakeman was) 22.00
CANDLEMESS King Of The Grey Islands DLP (nuclear blast - The band`s ninth effort, “King Of The Grey Islands”, continues the path of the last album. The master of Doom, Leif Edling himself, had the following to say about the concept behind the 10 new tracks: “The album is a concept story about depression and suicide in the modern society. The road to ruin for ”many kings of grey islands” that can’t stand the everyday life, and want to do something about it. No need to say this is Candlemass` black album!” Robert Lowe`s soaring and melancholic voice gives the songs the ultimate Epic Doom touch that fits the timeless compositions of Leif Edling just perfect. The infectiously catchy “Devil Seed”, the beautifully melodic “Of Stars and Smoke” and the straightforward riffmonster “Clearsight” – everything you ever loved about CANDLEMASS is packed into “King Of The Grey Islands”! The Swedes are back with a vengeance – prepare yourself for a true Epic Doom classic!) 18.00
CHUCK RAGAN los feliz LP (no idea - Hot Water Music frontman Chuck Ragan recorded these songs live in Los Feliz in Los Angeles, capturing a spontaneous performance in an intimate setting. Featured are acoustic versions of Ragan's solo material as well as one Hot Water Music song and one Bob Dylan cover.) 12.00
COREA "Quien encuentra a la madre conoce a los hijos" DLP ("Under the long title of ‘Quien encuentra a la madre conoce a los hijos’ here it is the second record for Corea. It is a black / black 2x12” where they show 8 new songs that go from the Breach and Switchblade influences in the heaviest parts to the more subtle parts of tricks and games played between guitars and synths.
Getting away of the often artificial sound of some experimental bands, a great recording production gives the warmth needed to express the deep astonishing soundscapes that go out from the creativity of these guys. Check some songs of the record here: http://www.myspace.com/coreanomolan" target="_blank Back in stock) 15.00
DIE PRINCESS DIE Self-titled 12'' LP (rococo records - "Featuring ex-members of Camera Obscura, Freedom From Saturn, and Radio Wendy. A towering wall of sick, invisible sound so loud it flaps your pant legs and shakes your teeth loose from their shiny pink gums. Their sound is big, thick, loud, and dense. It's tough to tell where the guitars end and the bass begins. "From the dark-electro intro songÂ…to the end of the album, this CD is filled with all sorts of fun moody noise that can go from making you dance to making you go into a corner where you curl up into a ball and weep." - No-Fi Magazine) 12.50
DOWN TO NOTHING the most LP (revelation - Down To Nothing's Revelation debut full-length, "The Most," is a fully realized outlet for their sound, melding their energy and strength with a newfound melody. With influences ranging from Gorilla Biscuits and Judge to local Richmond, VA legends Four Walls Falling, "The Most" cements Down To Nothing's place at the forefront of hardcore. Recorded at The Outpost with Jim Siegel (Outbreak, Have Heart, Blacklisted), the thick guitars and barreled drums give an accurate replication of their infamous live show.) 11.50
ELENI MANDELL Miracle of Five LP (ltd to 335) (heart of champion - It's difficult to review any Eleni Mandell album without using the words "torchy" and "chanteuse," and Miracle of Five -- her sixth release -- is no exception. However, this recording was approached uniquely. Producer/keyboardist Andy Kaulkin captured Mandell solo, singing the songs while strumming on her nylon-stringed guitar, overdubbing the rest of the band later. While that might seem a bit artificial for such rootsy, jazz-tinged music, the results justify the means. Mandell sounds relaxed and there is a spaciousness to the material resulting from Kaulkin's ability to add and subtract instruments at will. Mandell's voice has shifted from its once edgy PJ Harvey timbre to a far more luxurious, breathy style, similar to Aimee Mann, especially on the languorous "Salt Truck." This is hushed, melancholy music that remains sparse, even stark, despite the addition of such relatively exotic accompaniment as harp, celeste, clarinet and vibes (from X drummer D.J. Bonebrake). The always impressive Nels Cline is credited with guitars, dobro and "weird sounds." He restrains his typically avant-garde, jazzy excursions to bring unusual tones and textures to the project. Kaulkin applies these instruments with the care and detail-oriented touch of a painter, dabbing them into the recordings to provide color but never letting the few solos steal the spotlight from Mandell's mellifluous voice and sharp lyrics. The words are printed in the booklet which makes it easy to follow along as the singer approaches relationships -- good, bad, stagnating, improving and dissolving -- with a sharp poetic grace fleshed out by the gorgeous music. She finds the nooks and crannies in uncomplicated words, bringing layers of meaning to a deceptively simple lyric such as "Your eyes are the same eyes that you had yesterday, so you know who you once were." Her musings add weight and even intensity to the subtle, muted tunes, making this a perfect addition to her existing catalog and arguably, her finest work yet. ~ Hal Horowitz, All Music Guide This is the limited silk screen printed version - ltd to 335 copies) 16.50
THE FALCON FIVE - We Are Falcon And You Don't 12inch (narshardaa - WOAH! The boys from Würzburg with six fuckin' amazing groovy post punk songs. Little weird and really melodic. Reminds me a little bit of LES SAVY FAV, but who the fuck cares? Give it a try. Perfect record for the upcoming summer.THE FALCON FIVE formed as kind of a power trio without a name back in 2005. After showing his amazing singing skills at a rehearsal, Andreas joined a few months later to roughhouse the microphone. Henceforth, the band was called THE FALCON FIVE - well, you do the math. First show was in November 2005 at Nuremburg's Endzeit Festival. All dressed up in blue denim, the Würzburgers stoked quite a few people and set off a huge knife fight afterwards. Fortunately, no one got hurt all that badly. Featuring members of überdoomers OMEGA MASSIF and Bad Bocklet's very own SHOKEI, THE FALCON FIVE neither deliver a downtuned drone mayhem nor spastic "emo" songs which change from 3/4 to 5/8 meter every twenty seconds. They are rather into a straightforward rhythm with a dancy twist. Imagine WIPERS, ABBA and infamous krautsters ASH RA TEMPEL munching away on cotton candy at the local fairground and you got the idea. Well, at least the very basic idea. With lyrics tackling subjects like evil robots, huge magnets and white rabbits, they are far away from the preaching-to-the-converted which got all too usual in modern hardcore - actually, they are far away from modern hardcore per se.) 9.00
FEIST reminder LP (polydor - Feist first caught our attention with her guest appearances on Kings of Convenience's last album, but I gotta say her previous solo stuff didn't quite live up to expectations. (The remixes are top-notch though - check the sidebar.) This new album is a different matter: filled with subtle smokey folk-pop and wisely-chosen collaborators, this is the record we've been hoping Feist would make. The album is bookended with two great, similar sounding slow-motion collaborations - Jamie Liddell on "So Sorry(1)" and KoC's Eirik Glambek Boe on "How My Heart Behaves(2)" - but the tracks in between are totally varied. Check "My Moon My Man(3)," "Sea Lion(4)", "I Feel It All(5)" and "Brandy Alexander" (Chuck Palahniuk reference? A woman after my own heart!). 13 tracks; 50 minutes. Recommended.) 18.50
HELIOS CREED - Kiss To The Brain LP (amp rep – a few copies. Probably Creed's best overall record. Transpsychedelicspacewarped punkmetal madness. "XL-35," "Legs," and "Throw Away the Rind" are killer cuts, and the whole CD is almost the aural equivalent of a 50s sci-fi B movie. Silly perhaps, but far more inventive and sincere than just about anything around these days.) 12.00
Hey Colossus - Project:Death LP (wakusai/ shifty - It's the return of British sludge bludgeoners Hey Colossus, whose prior releases, including a split LP with Japanese doomsters Dot [.], we've recommended. Rhythmic and rumbling, this band plays a heavy hybrid of noisy punk and post rock, clearly conversant with both the unlikely extremes of krautrock and death metal. On Project: Death, the influence of the latter results in parts of such tracks as "On The Pleasure Of Hating" for short stretches approaching the pummelling tranciness of the Boredoms' Super Roots 3 (to reference a reissue recently reviewed). Shouting vox and down-tuned guitars also put these guys in league with such not-metal-but-even-scarier acts as Burmese and Unsane, their grinding grooves awash with an almost psychedelic level of FX (someone in the band plays nothing but Korg Kaoss Pad, apparently!). Menacing, murky, massive, murderous.)11.00
INDIAN unquiet sky DLP (seventh rule - Indian is a Chicago-based trio whose brand of doom is more akin to that of Eyehategod than the earliest or latest incarnations of the genre, and their distinctively black metal vocals immediately set them apart from the pack. This is stripped down hate doom, very much akin to their late Chicago brethren Buried at Sea or Portland, Maine’s Ocean. The forays into southern sludge grooves and the occasional faster pace add some color as well. Like most bands of this nature, it takes awhile for the full effect of Indian to sink in. It’s a massive sound, almost confrontational in nature. Fans of this style of music will be raving about this one for awhile.) 18.50
IS - Ostentatiously White one-sided 12'' (ltd to 150) (rococo – records. Just a few! "Ostentatiously White is an assault of abrasive elements dedicated to the active listener. Utilizing turntables, found sounds, pedal noise, home built circuits, vocal disembodiment's and other various gadgetry's; this is not to be taken seriously in the most serious of times. ") 17.50
JULIETTE MITTES, the - April/June LP (rococo records - Available now! Full color printed sleeve, on black vinyl. As described by the band: "April/June...recorded in our rehearsal room first part of 2006 in Leiden, The Netherlands. The tracks are from two different sessions hence April/June (we like to keep our titles simple). The idea was to make a cyclical work (round like an lp) so there's no side A or B. The listener can start anywhere. The tracks are just there...they do not really start or end and they seem to add to each other somehow after a while (at least that's my experience)... Although the tracks feel like a relaxed ride at times, they where recorded at the usual intense volume levels...really, really loud! Don't know how they came out this way... All four tracks had this same 'relaxed' feeling about them so that's why we decided to put them together. Our tracks have no name, no number, they are what they are..." ltd to 300 copies) 15.00
KIT broken voyage LP (upset the rhythm - This excellent debut album from Oakland's Kit comes after a number of split 7" releases alongside Wives, Captain Ahab and the mighty Deerhoof. Kit in fact have a great deal in common with Deerhoof: both bands have a penchant for juxtaposing visceral no-wave guitars against blissful pop vocals, utilising some pretty left-of-field production techniques along the way. By no means are Kit as easy to pin down as that, however: the free noise abandon of 'Maps' propels them into the sort of punk netherworld Boredoms hang around in, while the nursery rhyme garage of 'Forest' is similarly barmy. Single potential comes from 'Fake Broken Legs', which sounds like Melt Banana produced by DAT Politics, slamming unintelligible, stuttering vocals against cheerfully out-of-tune synth hooks. Proving that Broken Voyage isn't merely an album of energetic, hipster avant-rock, 'Nautical Lament' encroaches on some altogether murkier territory, weaving some haunted electronics and dissonant dulcimer passages in between all the jagged riffing. It might seem all too brief (clocking in at just over twenty minutes), but Broken Voyage is an exceptionally enjoyable debut with far more ideas crammed into it than its short duration could possibly suggest. Highly recommended.) 13.50
K.K. Rampage - Without Feelings one-sided 12'' (rococo records. Ltd to 150. A brand new one-sided twelve inch from KK Rampage, the undisputed Kings of Chicago. After taking the noise rock world by storm with Sides E and F (Rococo Records) KK Rampage are back with much sharper pop sensibilities and a beautiful take on romance and raw emotion. Balancing relentless experimentation and polished pop imperfection KKR continue on fearless, imperceptible, switching gears between heaven and hell on the highway of death. Sure to be one of the most seminal Pop-Damaged-Noise records of all time, ''Without Feelings'' will leave you with a broken heart and a raging hard-on.) 15.00
LATTERMAN ...We Are Still Alive LP (no idea - NY's Latterman return with their third full-length of pop-punk fun and DIY ethics. This band has spent years creating a reputation of being one of the hardest working bands around, touring and making friends while playing some catchy melodic punk along the lines of The Lawrence Arms and Against Me!. Now available on colored vinyl.)12.00
MONARCH die tonight LP (throne records – LP vinyl + foldout poster. 666 hand-numbered copies.
This one is their follow up to the former LP "speak of the sea". That was an LP released on the 6-6-6 which lasted for a few months only. This brand new one "die tonight" heads the same direction, so get your copy before it's too late. Two new songs clocking at ca. 20 minutes each, starting off where the "speak of the sea" ones left. Very similar in sound and shape, sort of a continuation.
An apocalyptical, suffocating and terrifying sound which emanates from their Sunno and Sovtek amps, from their impossible-tempo war drums, and from the ripping throat of the warrior queen. Nonetheless Monarch have been compared to the legends of this genre (Corrupted, Burning Witch, Sunno, etc.), and record after record, Monarch are proving these comparisons are accurate and true. Monarch deserve a place in the throne by their own values.) 12.00
NATIONAL, the „boxer“ LP (matador - As a follow up to their highly acclaimed album "Alligator", New York via Ohio quintet The National release "Boxer". Boxer was produced and mixed by the band and Peter Katis (Interpol, Spoon), and engineered by Greg Giorgio. The record as mostly recorded at Tarquin Studios in Bridgeport, CT. Additional recording was done by The National and Brandon Reid in Brooklyn, NY, and White Sulphur Springs, WV. Boxer was mastered by Fred Kevorkian (Willie Nelson, Regina Spektor, Ryan Adams). Boxer is filled with lush arrangements and sees the band including some new instrumentation and expanded musical elements including piano, trumpet and more prominent background vocals. Gothic in its detailing but jaunty in its execution, Boxer is something far richer than orch-pop (translation: rock ‘n’ roll topped with violins). Rather, the band find ways to combine the expressive depth of composed music with the urgency of pop. It's a sound built with guitar, bass, piano and drums and festooned with brass, woodwinds, backing vocals, strings, and organs. A product of dedicated labor, happenstance, and alchemical reactions, the music reveals new layers with each successive listen.) 16.00
NILE Ithyphallic DLP (nuclear blast – their new album as a limited double LP) 18.00
NO AGE get hurt 12" (upset the rhythm - "NO AGE have a rude energy, but the music is emptier than with WIVES and more mysterious... Mr Spunt sang and smacked the rim of his snare drum, while Mr Randall picked out some broken chords. Then it shifted: Mr Randall tapped an octave pedal, transforming his spidery guitar line into a burly, propulsive bass line." "Get Hurt" - a six song 12" - was released by Upset The Rhythm in March 2007. It is part of a set of five vinyl-only EPs. The other four are available from PPM, Deleted Art, Youth Attack and Teardrops.) 12.50
RAMMER cancer LP (bluefog - This five piece plays crushing, supreme heavy thrash metal that is reminiscent of Kreator, Destruction and Slayer when they ruled in the mid-80s. Twin guitars, thundering double kick drums and vo-kills to die for, this is the band's first album for new label Bluefog. Now available on vinyl.) 14.00
RYAN ADAMS easy tiger LP (lost highway - Easy Tiger, The Best Ryan Adams Record to Date On Limited Edition Orange Vinyl...There has never been a Ryan Adams record quite as strong and together as Easy Tiger; it’s got enough blue-eyed, blue-steel soul "With the Faintest Country Tinge" to make you think of both Marvin Gaye and the Righteous Brothers. Probably ridiculous, but true. And the songs themselves are beautiful—the lyrics tightly focused and brief, the feeling one of melancholy calm that will probably be a revelation to fans that remember the old, sometimes angry Ryan Adams. He agrees that the tone of Easy Tiger is different — not dark, just different—and suggests in passing that it may have something to do with both sobering up and growing up.) 14.00
SSD power DLP (taang - SSD "Power" is a career spanning compilation featuring material from the band's straight edge, hardcore punk days to the heavy metal, rock approach they employed later on. It contains various tracks from all of the band's records such as "The Kids Will Have Their Say," "Get It Away," "How We Rock," and "Break It Up." Also included are live, demo, and unreleased songs making it 29 tracks in all. Now available again on vinyl.) 18.00
SUNN o)) oracle LP (southern lord – we got copies in clear wax. The clear version is limited to 2000 copies. 2 tracks 34 minutes. The new Sunn O))) recording featuring "Orakulum", originally composed for a live performance collaboration with NYC sculptor Banks Violette. Vinyl only.
Features guest collaborations with Atsuo (Boris), Attila Csihar (Mayhem) and Joe Preston (Thrones, ex-Melvins etc...). Beautiful gatefold jacket designed by SOMA and featuring photographs of the sculpture by Banks Violette, of which the band provided musical accompaniment for.) 16.00
TOOL opiate LP (zoo entertainment – this is there first album- not as monumental as the other stuff. But it´s a classic!) 14.00
TOOL undertwo DLP (volcano - Just as grunge was reaching its boiling point and radio-friendly punk-pop loomed on the horizon, Tool released Undertow, which firmly reinforced metal's prominence as a musical style -- but, for once, it had something worthwhile to say. At the forefront of Tool's commercial explosion were striking, haunting visuals that complemented the album's nihilistic yet wistful mood. Drawing equal inspiration from Black Sabbath, alternative theories of science, and Eastern religions, Tool's abrasive sonic assault begins from the opening notes and continues through the final moments of the last composition, an open mockery of organized religion and its incapacity for original thought. With its technical brilliance, musical complexities, and aggressive overtones, Undertow not only paved the way for several bands to break through to the mainstream adolescent mall-rage demographic, it also proved that metal could be simultaneously intelligent, emotional, and brutal. ~ Rob Theakston, All Music Guide) 29.00
TOOL - laterus ltd DLP (volcano – records - Unfortunately, we can't really discuss how fucking unbelievable this record is (and it is!) without first addressing the skeptics and the naysayers. I have long been a champion of Tool and urged people to check them out, regardless of their preconceived notions of them and the scene that for some reason (which we'll address in a second) embraces them and in doing so, does them a huge disservice (I mean a disservice as far as them being taken seriously by people other than nu-metal fans, 'cause let's be honest, that scene did make them rich and famous and free to make music as fucked up as this). But much like the Deftones, even more so, Tool have used their popularity to exist in relative freedom, with each record getting weirder and weirder, but somehow selling more and more copies. C'mon! This shit is far out! It seems inconceivable to me that this is one of the most popular bands in the U.S. and popular with a lot of people, who if they really did like this record, should also be digging Joy Division and Neurosis and Ash Ra Tempel and Voi Vod and death metal but they're not. YOU are though. And therefore YOU should check this out. Lateralus is dark and brooding, rhythmic and atonal. Beautifully complex, with insane time signatures, bizarre tunings and huge riffs. A doom rock epic, skillfully forced into some completely alien prog/metal/ambient shape. Tense and droning tribal workouts, pummelling double bass, chugging power chords, whispered feathery stretches of ambience, and great fucking songs. Misanthropic lyrics and amazing (sometimes shrieked, but more often sung) vocals. Ultra dynamic and staggeringly technical. Great parts are stretched to their breaking point, where they cease to be just great parts, and instead become torturously tense. And so satisfying. Obviously, you already know whether you -think- you like or dislike Tool. But if you think you dislike Tool, maybe it's time to think again. (aquarius))) 37.00
VELVET CACOON Genevieve DLP (southern lord - 7 tracks 54 minutes. Southern Lord reissue of the band's first full-length. Insanely beautiful packaging in a velvet jacket limited to only 1500 copies! Unique black metal.) 20.00
VELVET CACOON Northsuite DLP (southern lord – purple wax - 8 tracks 60 minutes. Reissue of the band's first two demo's together on one double vinyl. Insanely beautiful packaging in a black velvet jacket and 1500 copied only available.) 20.00
VIDEO HIPPOS - Dolphin one-sided 12'' (ltd to 150) (rococo records - "Lightning Bolt giving birth to Japanther while at Video Light show....Spastic Drumming...Frantic Guitar with your favorite Video Game Samples...Limited to 150 copies w/ Screened Blue on Pink Covers on a White DJ Sleeve.." - Rococo. Ex Early Humans) 17.50
WETHER Stones and Light one-sided 12'' (rococo – ltd to 150 copies. "Demon breath drone and peasant rust collating into an ancient spell. Dirty. Sick. Then dust. "Stones And Light" collapses just over the eleven minute mark, and in that time manages to stir the unholy in the throats of the malignant. Dust." available for pre-order now, baby blue/navy screened cover on black vinyl.) 17.50
WOE COLOSSUS s/t 12" (state of distress - The merging of two groups into one, London behemoths Hey Colossus and Southend's own Woe, to create the amazing Woe Colossus is showcased here on this heavyweight twelve inch with interesting results. The first side is meant to be a reworking of the Miles Davis classic 'In a Silent Way' and is built on a lazy stoner-like riff that really builds with the use of saxophones, two drummers and what sounds like a tonne of amps. It drifts in and out of intensity but really hits the spot, maintaining enough interest through its long span, you can tell Hey Colossus are at work here through the guitar tone alone, but obviously the four members of Woe have had a more jazz and improv-like influence on the whole affair and its nice to hear such a daring coupling working so well, let alone be released. Second side, and more experimental, is 'Vanilla' an apparently original piece that brings to mind moments of Tom Waits and Sunn0)) as unexpected influences. Largely based on a lurching, malevolent rhythm, this track slowly builds as it reaches a noise-like conclusion, its use of unconventional sounds and the same lethargic beat all the way through really create a sense of claustrophobia. Recommended for those who like any of the previous influences, but for fans of solely Hey Colossus's previous output, be warned, this is far more evil and droning than anything they've done before and I imagine it would be the same live. [Get yours] before the limited run of 200 disappears. ) 10.50
CD
AGAINST ME new wave CD (sire - Indie heroes Against Me! make their major-label debut with the band's fourth incendiary studio album, "New Wave." Produced by Butch Vig, "New Wave" raises the aggressive folk-punk, anarchist protest music of Against Me! up from the underground.) 14.00
ALLEGIANCE Desperation CD (rivalry - With its sophomore full-length, "Desperation," Allegiance has tossed much of its youthful idealism aside and embraced a stripped down, bare bones, all-out attack on the listener instead. The album embodies the weight of frustration that comes from giving everything you've got, only to be left with an unsatisfying vacuous feeling of what to do next. Recorded with Roger Tschann at Grizzly Studios (Look Back And Laugh, Lights Out, Never Healed), this album is simply dirtier, grittier, and nastier. Colored wax) 13.00
BOTCH american nervoso CD (hydra head - Nine songs of hectic, dynamic, innovative, metallic hardcore chaos. Brutal, uncontrolled guitar mastery, throbbing, hypnotic rhythms and percussion, and distorted, "screaming bloody murder" vocals. Botch unveils an album that's sure to spark a buzz in the hardcore community. Striking similarities to such greats as Threadbare, Deadguy, and Unsane, this noise machine from Washington state is poised and ready to take the punk/hardcore community by storm.) 13.00
COMADRE The Youth CD (bloodtown - Comadre is from the Bay Area. This is their first release. It is 10 songs of loud, chant-filled, HELLA heart-felt hardcore punk all writen, recorded, and sang by kids who live radical. It originally came out in October 2004 in a spray painted/hand-assembled CD jewel case, along with a hand-assembled/photo copied booklet. This is the second press, which was sent out to be fully pressed with a full color booklet along with all of that other crazzy jazz a rad CD comes with. Both versions have been put out on the band's label: Bloodtown Records.) 11.50
DARKEST HOUR Deliver Us CD (victory - Washington, DC's Darkest Hour return with their fourth full-length for Victory Records and possibly their most ambitious effort to date, bringing their ferocious, high-velocity machine of raw energy, immeasurable talent and intoxicating fun. Their live show has taken them out on tour with the likes of Killswitch Engage, Anti-Flag, Soilwork, Between The Buried And Me, The Dillinger Escape Plan and more, with the band also being a part of the 2007 Sounds Of The Underground tour.) 14.00
THE MAKAI - the end of all you know CD (seventh rule - The album is 10 tracks of futility in flames, of dread within desire, of some of the best metal you may ever commit your ear to. On tour w/ INDIAN during summer and if you love High on Fire w/ more guitar loving Dillinger Escape Plan style - you will love this. The End Of All You Know was recorded at The Black Lodge in Chico, Ca and mastered by Collin Jordan (Ministry, RWAKE, Minsk) at The Boiler Room in Chicago.) 13.00
TAPES
FUGAZI red medicine Tape (dischord – analog and sexy on one Tape) 6.00
FUGAZI In On The Kill Taker Tape (dischord – great album on one tape) 6.00
FUGAZI Margin Walker Tape (dischord – my favourite album on tape) 6.00
HOLY ROLLERS s/t Tape (dischord - DC core with progressive and blues rock influence. Diverse, powerful, melodic. This is their last album on tape) 6.00
MINOR THREAT first two 7" TAPE (dischord – this record on an original Dischord Tape) 6.00
SEVERIN Acid to Ashes and Rust to Dust Tape (dischord - pre Capitol City Dusters. Just great rockmusic ala Gray Matter meets later dischord stuff – good) 6.00
BOOKS
OUT OF VOGUE Photo book (heartfirst - a new photobook by a german photographer - 140 pages w/ 47 bands and over 300 pictures. All got shoot in the last 14 years - some bands are Bombenalarm, Career Suicide, Fucked Up, Regualtions, tear it up, Ruiner, From Ashes Rise, Rambo etc) 13.00
T.shirts
BURN same T-shirt (black shirt w/ front and back print, S and M) 16.00
COMADRE euro tour Shirt (some back in stock – black shirt w/ green printing. S/M/L) 12.50
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7“
ACTS OF SEDITION crown victoria 7" (bloodtown records - This is their new 7" on bloodtown records after a full length and split w/ Bafabegiya. Acts of Sedition waste no time greeting the listener. They open up with some screams and a distorted guitar. This 3-piece Oakland punk rock band are not melodic or soft. They definitely pack a punch with their fast tempos, superb drumming, constant screaming, and really catchy chord progressions. Hell, they even experiment with some really strange bass effects. 6 new songs recorded by at ATOMIC GARDEN ... straight in your face.) 4.00
BATHTUB SHITTER/ JAPANISCHE KAMPFHÖRSPIELE - Split 7" (relapse – slimewave part#4 - part 4 of the slimewave series on relapse) 5.00
BLACK WIDOW come to the sabbat 7" (earmark - classic 7" by the British original hard-prog masters of doom who inspired a generation of doomsters until today. Features Jim Gannon, later of FOX fame.) 5.00
Casiotone for the Painfully Alone - Graceland 7'' (rococo - "a limited edition (500 hand-numbered copies) seven inch, due October 31 on Rococo Records. It features a cover of Paul Simon's "Graceland", a Xiu Xiu remix of "Casiotone for the Painfully Alone in a Yellow Shirt" from the CFTPA album 2003 Twinkle Echo, and the B-side "Sunday Street"." - pitchforkmedia.com, full color printed sleeve, on black vinyl.) 5.00
CURSED Blackout At Sunrise picture 7" (goodfellow - Chris Colohan (Left For Dead, The Swarm, Ruination), Nathan McMasters (Haymaker, Left For Dead) and the rest of Toronto's Cursed once again push their own envelope with two unreleased tracks of doomy crossover punk/metal and a cover of the track "Hawaii," originally written by the influential Canadian band Kittens. Now available on vinyl.) 6.50
K.K. Rampage- Sides E & F 7'' (rococo - Who is KK Rampage? They're the band that crashes your favorite bands' show, throws powdered sugar everywhere, pukes on it and then rolls around in the disgusting puke paste. They're the band that knows what high school girls were made for. They are the holocaust. What is the Side E & F 7inch? Their first true sell-out effort. Recorded by the man they call “The Next Steve Albini”, Sides E & F is the heaviest record this side of 1977. It not only continues the amazing growth KK has shown since replacing the original drummer, but also takes it to a startling new level. Louder than sound and brighter than the sun, this record will blast you through the gates of Valhalla. Imagine Sun Ra crossed with a gasoline fire, imagine The Beatles... actually in a gasoline fire. This record shows you that just because it’s violent, misogynistic and heavily drugged, that doesn't mean it can't be overwhelmingly beautiful. ltd to 300) 5.00
KNAPSACK true to form/ effortless 7" (alia records - two killer songs by this emo outfit from the mid90ies. During their time together they have helped establish a new genre of music and influenced a group of younger bands that have recently gained attention. Nevertheless, even while being tagged "Emo Core" and being a part of the post-hardcore scene from the beginning, they have always been outside of the boundaries of the Emo sound and have many varied influences to their music. "I don't like to call what we do 'emo core'" states singer/guitarists/songwriter Blair Shehan, "I think we make dark, hard-rocking music with a hook and varied dynamics.) 4.00
LES SAVY FAV Accidental Deaths 7'' (rococo records. Back in stock. Songs include: 'Hit By Train', and 'Hit By Car' , 200 copies on dark green vinyl, 800 on black vinyl.) 5.00
PROMISE RING boys and girls 7" (jade tree - Music on one side, gnarly 'etching' on the other. Unwound tears through their early material with the ferocity they were known for. Essential.) 4.50
ROADS TO SPACE TRAVEL Before Before Now 7" (desoto - amazing 7" on desoto -- band reminds me on a mix of Jawbox and Dismemberment Plan. Two Amazing songs) 4.50
STIGMATICS s/t 7" (dischord - All-female band from DC which reminds me of early Fire Party (esp. the singer); DC post core in the early 90's Dischord style, quite rough but also a bit chaotic and a lacking sense of cohesion.) 4.00
UNWOUND s/t 7“ (gravity - Music on one side, gnarly 'etching' on the other. Unwound tears through their early material with the ferocity they were known for. Essential.) 4.50
WE THE PEOPLE Time To Operate 7" (stop whining - Featuring Check of Black SS on vocals, NYC's We The People blend old-style American hardcore with UK-influenced street punk to create a raw sound akin to that of 86 Mentality.) 4.50
8“
Panicsville and Prurient - Rubber Baron 8'' (rococo - Collaboration 8" on opaque red vinyl with screened black on black chipboard, limited to 300 copies.) 11.00
10“
ADOLESCENTS Welcome to Reality 10" (frontier - Now available on a 10" EP with the three tracks from the 7" EP (still available) plus the addition of "Richard Hung Himself," originally recorded for the EP, but never mixed down until The Complete Demos album was compiled. The picture sleeve looks the same, except that it's a 10" jacket rather than a fold-over sleeve. The first pressing is on white vinyl.) 9.50
SLS3 - Con La Venda Hacia La Pared 10" (back in stock - "It is a 10" self released by the band, and I am helping them to distribute it because we are friends. They are a kind of band like Ekkaia but more focused in the emocore sound and with some Envy touches. It has members from Hongo, Destierro, Asfixia and Black Panda. Anyway you better listen to them to know what they do.") 9.00
LP
ALLEGIANCE Desperation LP (rivalry - With its sophomore full-length, "Desperation," Allegiance has tossed much of its youthful idealism aside and embraced a stripped down, bare bones, all-out attack on the listener instead. The album embodies the weight of frustration that comes from giving everything you've got, only to be left with an unsatisfying vacuous feeling of what to do next. Recorded with Roger Tschann at Grizzly Studios (Look Back And Laugh, Lights Out, Never Healed), this album is simply dirtier, grittier, and nastier. Colored wax) 12.50
APPLESEED CAST Low Level Owl Volumes I+II 3xLP (gilead media - In 2000, The Appleseed Cast created something that would soon change the face of indie rock as all had come to know it. Produced by Ed Rose (Limbeck, Get Up Kids, Casket Lottery, Coalesce, Forstella Ford, etc!) and released on CD by Deep Elm in two separate volumes, "Low Level Owl" created a genre; it set a standard that no one could deny. For the first time these two volumes are presented together on vinyl, in their entirety, in a gatefold 3xlp with revamped artwork. Strictly limited to a one time pressing of 1000 copies, of which only 600 are available to stores. For five years fans of The Appleseed Cast all over the world have been begging for this. Now they can sleep soundly, for their wishes have been answered.) 26.50
BJORK, BRANT & THE BROS - Somera Sol LP (duna - Brant Bjork . . .desert boogieman decided to find a band to back his trip. The Bros is what they’re called . . .The Bros are what they are. Dylan Roche on bass, Cortez on guitar, and Alfredo Hernandez formerly of Kyuss and QOTSA, on drums. “Make no mistake . . . we’re a real band” Brant says. Musically speaking The Bros bring it. Organic Rock. It grooves. It Flows. It’s psychedelic. It’s tough. It’s beautiful. It’s Classic. The future is now and Brant Bjork and The Bros are here. Brant Bjork hails from Palm Desert, California, where he began gigging at the age of 13. By high school Brant had begun Kyuss with locals Josh Homme, Chris Cockrell, (later Nick Oliveri) and John Garcia. Kyuss was signed to Elektra and became the first desert rock band to achieve international success by spearheading a musical movement that brought heavy and psychedelic sounds back to rock and roll and served as a prototype for all “desert/stoner rock”. In 1993, Brant left Kyuss and moved to Humboldt to flip pizzas and play soccer. Too much rain moved him back to his natural habitat where he started an independent record label, EL CAMINO (now DUNA RECORDS); played drums in hardcore punk band De-Con; and played guitar with desert legend Mario Lalli in Fatso Jetson. In 1996, Bjork hooked up again with Homme, to begin the DESERT SESSIONS saga and work on what became Queens Of The Stone Age. However, Brant decided to take the road less traveled and rock with his surf buddies Fu Manchu, an adventure which took him into the studio for five records and around the world in four years.) 18.50
BUILT TO SPLILL you in reverse DLP (warner re-issue Built to Spill haven't released an album for five years, and the time off seems to have rejuvenated the band -- You in Reverse is full of fire and energy. The bandmembers play with a thrilling blend of abandon and sensitivity on this mix of accessible guitar rockers, twisting and turning guitar workouts, and somber balladry with enough intelligence and emotion to put groups half their age to shame (and by the looks of the gray in their beards, they are getting up there). Many of the songs on You in Reverse are midtempo ballads, some quiet and autumnal ("Traces"), most trippy and bursting with wild and dramatic guitar solos ("The Wait," "Gone"). All of them are quite heart-rending, with Doug Martsch's melancholy everyman vocals and the emotion (in his voice but especially in the guitars) flowing like tears from the speakers. Most of the tracks also feature spiraling guitar solos and climaxes that conjure up images of the bandmembers on-stage at an outdoor stadium jamming their beards off as the crowd goes bananas. These songs are impressive, but the album really shines on the tracks that boost the tempo. "Conventional Wisdom" is a raging rocker that rides an inspired guitar melody into alt-rock guitar nirvana, sounding like the best tune Dinosaur Jr. never wrote (although those slackers never would have thrown a chamber music-inspired instrumental bridge into the middle of a song before freaking out with an epic solo). "Mess with Time" charges ahead like an angry rhino, kicking up guitar sparks and sounding a lot like classic Wipers in the process. Best of all is the amazing "Goin' Against Your Mind," an almost nine-minute guitar explosion that kicks off the album in breathtaking style. By the time it's through playing, you'll be hard-pressed to imagine a way the rest of the album could stand up to its intensity and drama. That the record does manage to acquit itself superbly is quite an accomplishment. Though there are no great surprises on You in Reverse, it is one of Built to Spill's strongest efforts, and anyone who has followed their career knows that this is high praise indeed. ~ Tim Sendra, All Music Guide) 22.00
BUILT TO SPILL Keep It Like A Secret DLP (warner re-issue - Perhaps to squelch the idea that Built To Spill were more about guitar histrionics than songs, the band's 1999 follow-up to Perfect From Now On was crammed full of pop songs, each one a continual surprise brimming with invention. As a songwriter and guitarist, Built to Spill's Doug Martsch has "a firm background in remembering," as he sings in "Bad Light," on the band's beguiling new album, Keep It Like a Secret. Martsch's zigging, zagging vocal melodies and explosive, loud-soft-loud hook dynamics are right out of the Pixies and Husker Du song manuals. There are traces of Lou Reed and the hyperwriting of '66 Bob Dylan in Secret's lyric mix of run-on, conversational) 22.00
BULIT TO SPILL Perfect From Now On DLP (warner re-issue - The band's third album and first for a major label sees them sacrificing none of their signifying elements of guitar attack and melody. If anything, the band drifts further into space with tracks such as the stunning, nine-minute "Untrustable." Far from the simple pop of earlier releases, this is the sound of one band expanding the horizons of indie rock. Did progressive rock get a bad rap from the post-punk generation? Lately, everyone from instrumental outfits such as Tortoise to four-track whiz kids such as Olivia Tremor Control has been reinvestigating the world of the epic song suite and the mind-twisting tempo change – with a vigor that suggests that maybe Rick Wakeman was) 22.00
CANDLEMESS King Of The Grey Islands DLP (nuclear blast - The band`s ninth effort, “King Of The Grey Islands”, continues the path of the last album. The master of Doom, Leif Edling himself, had the following to say about the concept behind the 10 new tracks: “The album is a concept story about depression and suicide in the modern society. The road to ruin for ”many kings of grey islands” that can’t stand the everyday life, and want to do something about it. No need to say this is Candlemass` black album!” Robert Lowe`s soaring and melancholic voice gives the songs the ultimate Epic Doom touch that fits the timeless compositions of Leif Edling just perfect. The infectiously catchy “Devil Seed”, the beautifully melodic “Of Stars and Smoke” and the straightforward riffmonster “Clearsight” – everything you ever loved about CANDLEMASS is packed into “King Of The Grey Islands”! The Swedes are back with a vengeance – prepare yourself for a true Epic Doom classic!) 18.00
CHUCK RAGAN los feliz LP (no idea - Hot Water Music frontman Chuck Ragan recorded these songs live in Los Feliz in Los Angeles, capturing a spontaneous performance in an intimate setting. Featured are acoustic versions of Ragan's solo material as well as one Hot Water Music song and one Bob Dylan cover.) 12.00
COREA "Quien encuentra a la madre conoce a los hijos" DLP ("Under the long title of ‘Quien encuentra a la madre conoce a los hijos’ here it is the second record for Corea. It is a black / black 2x12” where they show 8 new songs that go from the Breach and Switchblade influences in the heaviest parts to the more subtle parts of tricks and games played between guitars and synths.
Getting away of the often artificial sound of some experimental bands, a great recording production gives the warmth needed to express the deep astonishing soundscapes that go out from the creativity of these guys. Check some songs of the record here: http://www.myspace.com/coreanomolan" target="_blank Back in stock) 15.00
DIE PRINCESS DIE Self-titled 12'' LP (rococo records - "Featuring ex-members of Camera Obscura, Freedom From Saturn, and Radio Wendy. A towering wall of sick, invisible sound so loud it flaps your pant legs and shakes your teeth loose from their shiny pink gums. Their sound is big, thick, loud, and dense. It's tough to tell where the guitars end and the bass begins. "From the dark-electro intro songÂ…to the end of the album, this CD is filled with all sorts of fun moody noise that can go from making you dance to making you go into a corner where you curl up into a ball and weep." - No-Fi Magazine) 12.50
DOWN TO NOTHING the most LP (revelation - Down To Nothing's Revelation debut full-length, "The Most," is a fully realized outlet for their sound, melding their energy and strength with a newfound melody. With influences ranging from Gorilla Biscuits and Judge to local Richmond, VA legends Four Walls Falling, "The Most" cements Down To Nothing's place at the forefront of hardcore. Recorded at The Outpost with Jim Siegel (Outbreak, Have Heart, Blacklisted), the thick guitars and barreled drums give an accurate replication of their infamous live show.) 11.50
ELENI MANDELL Miracle of Five LP (ltd to 335) (heart of champion - It's difficult to review any Eleni Mandell album without using the words "torchy" and "chanteuse," and Miracle of Five -- her sixth release -- is no exception. However, this recording was approached uniquely. Producer/keyboardist Andy Kaulkin captured Mandell solo, singing the songs while strumming on her nylon-stringed guitar, overdubbing the rest of the band later. While that might seem a bit artificial for such rootsy, jazz-tinged music, the results justify the means. Mandell sounds relaxed and there is a spaciousness to the material resulting from Kaulkin's ability to add and subtract instruments at will. Mandell's voice has shifted from its once edgy PJ Harvey timbre to a far more luxurious, breathy style, similar to Aimee Mann, especially on the languorous "Salt Truck." This is hushed, melancholy music that remains sparse, even stark, despite the addition of such relatively exotic accompaniment as harp, celeste, clarinet and vibes (from X drummer D.J. Bonebrake). The always impressive Nels Cline is credited with guitars, dobro and "weird sounds." He restrains his typically avant-garde, jazzy excursions to bring unusual tones and textures to the project. Kaulkin applies these instruments with the care and detail-oriented touch of a painter, dabbing them into the recordings to provide color but never letting the few solos steal the spotlight from Mandell's mellifluous voice and sharp lyrics. The words are printed in the booklet which makes it easy to follow along as the singer approaches relationships -- good, bad, stagnating, improving and dissolving -- with a sharp poetic grace fleshed out by the gorgeous music. She finds the nooks and crannies in uncomplicated words, bringing layers of meaning to a deceptively simple lyric such as "Your eyes are the same eyes that you had yesterday, so you know who you once were." Her musings add weight and even intensity to the subtle, muted tunes, making this a perfect addition to her existing catalog and arguably, her finest work yet. ~ Hal Horowitz, All Music Guide This is the limited silk screen printed version - ltd to 335 copies) 16.50
THE FALCON FIVE - We Are Falcon And You Don't 12inch (narshardaa - WOAH! The boys from Würzburg with six fuckin' amazing groovy post punk songs. Little weird and really melodic. Reminds me a little bit of LES SAVY FAV, but who the fuck cares? Give it a try. Perfect record for the upcoming summer.THE FALCON FIVE formed as kind of a power trio without a name back in 2005. After showing his amazing singing skills at a rehearsal, Andreas joined a few months later to roughhouse the microphone. Henceforth, the band was called THE FALCON FIVE - well, you do the math. First show was in November 2005 at Nuremburg's Endzeit Festival. All dressed up in blue denim, the Würzburgers stoked quite a few people and set off a huge knife fight afterwards. Fortunately, no one got hurt all that badly. Featuring members of überdoomers OMEGA MASSIF and Bad Bocklet's very own SHOKEI, THE FALCON FIVE neither deliver a downtuned drone mayhem nor spastic "emo" songs which change from 3/4 to 5/8 meter every twenty seconds. They are rather into a straightforward rhythm with a dancy twist. Imagine WIPERS, ABBA and infamous krautsters ASH RA TEMPEL munching away on cotton candy at the local fairground and you got the idea. Well, at least the very basic idea. With lyrics tackling subjects like evil robots, huge magnets and white rabbits, they are far away from the preaching-to-the-converted which got all too usual in modern hardcore - actually, they are far away from modern hardcore per se.) 9.00
FEIST reminder LP (polydor - Feist first caught our attention with her guest appearances on Kings of Convenience's last album, but I gotta say her previous solo stuff didn't quite live up to expectations. (The remixes are top-notch though - check the sidebar.) This new album is a different matter: filled with subtle smokey folk-pop and wisely-chosen collaborators, this is the record we've been hoping Feist would make. The album is bookended with two great, similar sounding slow-motion collaborations - Jamie Liddell on "So Sorry(1)" and KoC's Eirik Glambek Boe on "How My Heart Behaves(2)" - but the tracks in between are totally varied. Check "My Moon My Man(3)," "Sea Lion(4)", "I Feel It All(5)" and "Brandy Alexander" (Chuck Palahniuk reference? A woman after my own heart!). 13 tracks; 50 minutes. Recommended.) 18.50
HELIOS CREED - Kiss To The Brain LP (amp rep – a few copies. Probably Creed's best overall record. Transpsychedelicspacewarped punkmetal madness. "XL-35," "Legs," and "Throw Away the Rind" are killer cuts, and the whole CD is almost the aural equivalent of a 50s sci-fi B movie. Silly perhaps, but far more inventive and sincere than just about anything around these days.) 12.00
Hey Colossus - Project:Death LP (wakusai/ shifty - It's the return of British sludge bludgeoners Hey Colossus, whose prior releases, including a split LP with Japanese doomsters Dot [.], we've recommended. Rhythmic and rumbling, this band plays a heavy hybrid of noisy punk and post rock, clearly conversant with both the unlikely extremes of krautrock and death metal. On Project: Death, the influence of the latter results in parts of such tracks as "On The Pleasure Of Hating" for short stretches approaching the pummelling tranciness of the Boredoms' Super Roots 3 (to reference a reissue recently reviewed). Shouting vox and down-tuned guitars also put these guys in league with such not-metal-but-even-scarier acts as Burmese and Unsane, their grinding grooves awash with an almost psychedelic level of FX (someone in the band plays nothing but Korg Kaoss Pad, apparently!). Menacing, murky, massive, murderous.)11.00
INDIAN unquiet sky DLP (seventh rule - Indian is a Chicago-based trio whose brand of doom is more akin to that of Eyehategod than the earliest or latest incarnations of the genre, and their distinctively black metal vocals immediately set them apart from the pack. This is stripped down hate doom, very much akin to their late Chicago brethren Buried at Sea or Portland, Maine’s Ocean. The forays into southern sludge grooves and the occasional faster pace add some color as well. Like most bands of this nature, it takes awhile for the full effect of Indian to sink in. It’s a massive sound, almost confrontational in nature. Fans of this style of music will be raving about this one for awhile.) 18.50
IS - Ostentatiously White one-sided 12'' (ltd to 150) (rococo – records. Just a few! "Ostentatiously White is an assault of abrasive elements dedicated to the active listener. Utilizing turntables, found sounds, pedal noise, home built circuits, vocal disembodiment's and other various gadgetry's; this is not to be taken seriously in the most serious of times. ") 17.50
JULIETTE MITTES, the - April/June LP (rococo records - Available now! Full color printed sleeve, on black vinyl. As described by the band: "April/June...recorded in our rehearsal room first part of 2006 in Leiden, The Netherlands. The tracks are from two different sessions hence April/June (we like to keep our titles simple). The idea was to make a cyclical work (round like an lp) so there's no side A or B. The listener can start anywhere. The tracks are just there...they do not really start or end and they seem to add to each other somehow after a while (at least that's my experience)... Although the tracks feel like a relaxed ride at times, they where recorded at the usual intense volume levels...really, really loud! Don't know how they came out this way... All four tracks had this same 'relaxed' feeling about them so that's why we decided to put them together. Our tracks have no name, no number, they are what they are..." ltd to 300 copies) 15.00
KIT broken voyage LP (upset the rhythm - This excellent debut album from Oakland's Kit comes after a number of split 7" releases alongside Wives, Captain Ahab and the mighty Deerhoof. Kit in fact have a great deal in common with Deerhoof: both bands have a penchant for juxtaposing visceral no-wave guitars against blissful pop vocals, utilising some pretty left-of-field production techniques along the way. By no means are Kit as easy to pin down as that, however: the free noise abandon of 'Maps' propels them into the sort of punk netherworld Boredoms hang around in, while the nursery rhyme garage of 'Forest' is similarly barmy. Single potential comes from 'Fake Broken Legs', which sounds like Melt Banana produced by DAT Politics, slamming unintelligible, stuttering vocals against cheerfully out-of-tune synth hooks. Proving that Broken Voyage isn't merely an album of energetic, hipster avant-rock, 'Nautical Lament' encroaches on some altogether murkier territory, weaving some haunted electronics and dissonant dulcimer passages in between all the jagged riffing. It might seem all too brief (clocking in at just over twenty minutes), but Broken Voyage is an exceptionally enjoyable debut with far more ideas crammed into it than its short duration could possibly suggest. Highly recommended.) 13.50
K.K. Rampage - Without Feelings one-sided 12'' (rococo records. Ltd to 150. A brand new one-sided twelve inch from KK Rampage, the undisputed Kings of Chicago. After taking the noise rock world by storm with Sides E and F (Rococo Records) KK Rampage are back with much sharper pop sensibilities and a beautiful take on romance and raw emotion. Balancing relentless experimentation and polished pop imperfection KKR continue on fearless, imperceptible, switching gears between heaven and hell on the highway of death. Sure to be one of the most seminal Pop-Damaged-Noise records of all time, ''Without Feelings'' will leave you with a broken heart and a raging hard-on.) 15.00
LATTERMAN ...We Are Still Alive LP (no idea - NY's Latterman return with their third full-length of pop-punk fun and DIY ethics. This band has spent years creating a reputation of being one of the hardest working bands around, touring and making friends while playing some catchy melodic punk along the lines of The Lawrence Arms and Against Me!. Now available on colored vinyl.)12.00
MONARCH die tonight LP (throne records – LP vinyl + foldout poster. 666 hand-numbered copies.
This one is their follow up to the former LP "speak of the sea". That was an LP released on the 6-6-6 which lasted for a few months only. This brand new one "die tonight" heads the same direction, so get your copy before it's too late. Two new songs clocking at ca. 20 minutes each, starting off where the "speak of the sea" ones left. Very similar in sound and shape, sort of a continuation.
An apocalyptical, suffocating and terrifying sound which emanates from their Sunno and Sovtek amps, from their impossible-tempo war drums, and from the ripping throat of the warrior queen. Nonetheless Monarch have been compared to the legends of this genre (Corrupted, Burning Witch, Sunno, etc.), and record after record, Monarch are proving these comparisons are accurate and true. Monarch deserve a place in the throne by their own values.) 12.00
NATIONAL, the „boxer“ LP (matador - As a follow up to their highly acclaimed album "Alligator", New York via Ohio quintet The National release "Boxer". Boxer was produced and mixed by the band and Peter Katis (Interpol, Spoon), and engineered by Greg Giorgio. The record as mostly recorded at Tarquin Studios in Bridgeport, CT. Additional recording was done by The National and Brandon Reid in Brooklyn, NY, and White Sulphur Springs, WV. Boxer was mastered by Fred Kevorkian (Willie Nelson, Regina Spektor, Ryan Adams). Boxer is filled with lush arrangements and sees the band including some new instrumentation and expanded musical elements including piano, trumpet and more prominent background vocals. Gothic in its detailing but jaunty in its execution, Boxer is something far richer than orch-pop (translation: rock ‘n’ roll topped with violins). Rather, the band find ways to combine the expressive depth of composed music with the urgency of pop. It's a sound built with guitar, bass, piano and drums and festooned with brass, woodwinds, backing vocals, strings, and organs. A product of dedicated labor, happenstance, and alchemical reactions, the music reveals new layers with each successive listen.) 16.00
NILE Ithyphallic DLP (nuclear blast – their new album as a limited double LP) 18.00
NO AGE get hurt 12" (upset the rhythm - "NO AGE have a rude energy, but the music is emptier than with WIVES and more mysterious... Mr Spunt sang and smacked the rim of his snare drum, while Mr Randall picked out some broken chords. Then it shifted: Mr Randall tapped an octave pedal, transforming his spidery guitar line into a burly, propulsive bass line." "Get Hurt" - a six song 12" - was released by Upset The Rhythm in March 2007. It is part of a set of five vinyl-only EPs. The other four are available from PPM, Deleted Art, Youth Attack and Teardrops.) 12.50
RAMMER cancer LP (bluefog - This five piece plays crushing, supreme heavy thrash metal that is reminiscent of Kreator, Destruction and Slayer when they ruled in the mid-80s. Twin guitars, thundering double kick drums and vo-kills to die for, this is the band's first album for new label Bluefog. Now available on vinyl.) 14.00
RYAN ADAMS easy tiger LP (lost highway - Easy Tiger, The Best Ryan Adams Record to Date On Limited Edition Orange Vinyl...There has never been a Ryan Adams record quite as strong and together as Easy Tiger; it’s got enough blue-eyed, blue-steel soul "With the Faintest Country Tinge" to make you think of both Marvin Gaye and the Righteous Brothers. Probably ridiculous, but true. And the songs themselves are beautiful—the lyrics tightly focused and brief, the feeling one of melancholy calm that will probably be a revelation to fans that remember the old, sometimes angry Ryan Adams. He agrees that the tone of Easy Tiger is different — not dark, just different—and suggests in passing that it may have something to do with both sobering up and growing up.) 14.00
SSD power DLP (taang - SSD "Power" is a career spanning compilation featuring material from the band's straight edge, hardcore punk days to the heavy metal, rock approach they employed later on. It contains various tracks from all of the band's records such as "The Kids Will Have Their Say," "Get It Away," "How We Rock," and "Break It Up." Also included are live, demo, and unreleased songs making it 29 tracks in all. Now available again on vinyl.) 18.00
SUNN o)) oracle LP (southern lord – we got copies in clear wax. The clear version is limited to 2000 copies. 2 tracks 34 minutes. The new Sunn O))) recording featuring "Orakulum", originally composed for a live performance collaboration with NYC sculptor Banks Violette. Vinyl only.
Features guest collaborations with Atsuo (Boris), Attila Csihar (Mayhem) and Joe Preston (Thrones, ex-Melvins etc...). Beautiful gatefold jacket designed by SOMA and featuring photographs of the sculpture by Banks Violette, of which the band provided musical accompaniment for.) 16.00
TOOL opiate LP (zoo entertainment – this is there first album- not as monumental as the other stuff. But it´s a classic!) 14.00
TOOL undertwo DLP (volcano - Just as grunge was reaching its boiling point and radio-friendly punk-pop loomed on the horizon, Tool released Undertow, which firmly reinforced metal's prominence as a musical style -- but, for once, it had something worthwhile to say. At the forefront of Tool's commercial explosion were striking, haunting visuals that complemented the album's nihilistic yet wistful mood. Drawing equal inspiration from Black Sabbath, alternative theories of science, and Eastern religions, Tool's abrasive sonic assault begins from the opening notes and continues through the final moments of the last composition, an open mockery of organized religion and its incapacity for original thought. With its technical brilliance, musical complexities, and aggressive overtones, Undertow not only paved the way for several bands to break through to the mainstream adolescent mall-rage demographic, it also proved that metal could be simultaneously intelligent, emotional, and brutal. ~ Rob Theakston, All Music Guide) 29.00
TOOL - laterus ltd DLP (volcano – records - Unfortunately, we can't really discuss how fucking unbelievable this record is (and it is!) without first addressing the skeptics and the naysayers. I have long been a champion of Tool and urged people to check them out, regardless of their preconceived notions of them and the scene that for some reason (which we'll address in a second) embraces them and in doing so, does them a huge disservice (I mean a disservice as far as them being taken seriously by people other than nu-metal fans, 'cause let's be honest, that scene did make them rich and famous and free to make music as fucked up as this). But much like the Deftones, even more so, Tool have used their popularity to exist in relative freedom, with each record getting weirder and weirder, but somehow selling more and more copies. C'mon! This shit is far out! It seems inconceivable to me that this is one of the most popular bands in the U.S. and popular with a lot of people, who if they really did like this record, should also be digging Joy Division and Neurosis and Ash Ra Tempel and Voi Vod and death metal but they're not. YOU are though. And therefore YOU should check this out. Lateralus is dark and brooding, rhythmic and atonal. Beautifully complex, with insane time signatures, bizarre tunings and huge riffs. A doom rock epic, skillfully forced into some completely alien prog/metal/ambient shape. Tense and droning tribal workouts, pummelling double bass, chugging power chords, whispered feathery stretches of ambience, and great fucking songs. Misanthropic lyrics and amazing (sometimes shrieked, but more often sung) vocals. Ultra dynamic and staggeringly technical. Great parts are stretched to their breaking point, where they cease to be just great parts, and instead become torturously tense. And so satisfying. Obviously, you already know whether you -think- you like or dislike Tool. But if you think you dislike Tool, maybe it's time to think again. (aquarius))) 37.00
VELVET CACOON Genevieve DLP (southern lord - 7 tracks 54 minutes. Southern Lord reissue of the band's first full-length. Insanely beautiful packaging in a velvet jacket limited to only 1500 copies! Unique black metal.) 20.00
VELVET CACOON Northsuite DLP (southern lord – purple wax - 8 tracks 60 minutes. Reissue of the band's first two demo's together on one double vinyl. Insanely beautiful packaging in a black velvet jacket and 1500 copied only available.) 20.00
VIDEO HIPPOS - Dolphin one-sided 12'' (ltd to 150) (rococo records - "Lightning Bolt giving birth to Japanther while at Video Light show....Spastic Drumming...Frantic Guitar with your favorite Video Game Samples...Limited to 150 copies w/ Screened Blue on Pink Covers on a White DJ Sleeve.." - Rococo. Ex Early Humans) 17.50
WETHER Stones and Light one-sided 12'' (rococo – ltd to 150 copies. "Demon breath drone and peasant rust collating into an ancient spell. Dirty. Sick. Then dust. "Stones And Light" collapses just over the eleven minute mark, and in that time manages to stir the unholy in the throats of the malignant. Dust." available for pre-order now, baby blue/navy screened cover on black vinyl.) 17.50
WOE COLOSSUS s/t 12" (state of distress - The merging of two groups into one, London behemoths Hey Colossus and Southend's own Woe, to create the amazing Woe Colossus is showcased here on this heavyweight twelve inch with interesting results. The first side is meant to be a reworking of the Miles Davis classic 'In a Silent Way' and is built on a lazy stoner-like riff that really builds with the use of saxophones, two drummers and what sounds like a tonne of amps. It drifts in and out of intensity but really hits the spot, maintaining enough interest through its long span, you can tell Hey Colossus are at work here through the guitar tone alone, but obviously the four members of Woe have had a more jazz and improv-like influence on the whole affair and its nice to hear such a daring coupling working so well, let alone be released. Second side, and more experimental, is 'Vanilla' an apparently original piece that brings to mind moments of Tom Waits and Sunn0)) as unexpected influences. Largely based on a lurching, malevolent rhythm, this track slowly builds as it reaches a noise-like conclusion, its use of unconventional sounds and the same lethargic beat all the way through really create a sense of claustrophobia. Recommended for those who like any of the previous influences, but for fans of solely Hey Colossus's previous output, be warned, this is far more evil and droning than anything they've done before and I imagine it would be the same live. [Get yours] before the limited run of 200 disappears. ) 10.50
CD
AGAINST ME new wave CD (sire - Indie heroes Against Me! make their major-label debut with the band's fourth incendiary studio album, "New Wave." Produced by Butch Vig, "New Wave" raises the aggressive folk-punk, anarchist protest music of Against Me! up from the underground.) 14.00
ALLEGIANCE Desperation CD (rivalry - With its sophomore full-length, "Desperation," Allegiance has tossed much of its youthful idealism aside and embraced a stripped down, bare bones, all-out attack on the listener instead. The album embodies the weight of frustration that comes from giving everything you've got, only to be left with an unsatisfying vacuous feeling of what to do next. Recorded with Roger Tschann at Grizzly Studios (Look Back And Laugh, Lights Out, Never Healed), this album is simply dirtier, grittier, and nastier. Colored wax) 13.00
BOTCH american nervoso CD (hydra head - Nine songs of hectic, dynamic, innovative, metallic hardcore chaos. Brutal, uncontrolled guitar mastery, throbbing, hypnotic rhythms and percussion, and distorted, "screaming bloody murder" vocals. Botch unveils an album that's sure to spark a buzz in the hardcore community. Striking similarities to such greats as Threadbare, Deadguy, and Unsane, this noise machine from Washington state is poised and ready to take the punk/hardcore community by storm.) 13.00
COMADRE The Youth CD (bloodtown - Comadre is from the Bay Area. This is their first release. It is 10 songs of loud, chant-filled, HELLA heart-felt hardcore punk all writen, recorded, and sang by kids who live radical. It originally came out in October 2004 in a spray painted/hand-assembled CD jewel case, along with a hand-assembled/photo copied booklet. This is the second press, which was sent out to be fully pressed with a full color booklet along with all of that other crazzy jazz a rad CD comes with. Both versions have been put out on the band's label: Bloodtown Records.) 11.50
DARKEST HOUR Deliver Us CD (victory - Washington, DC's Darkest Hour return with their fourth full-length for Victory Records and possibly their most ambitious effort to date, bringing their ferocious, high-velocity machine of raw energy, immeasurable talent and intoxicating fun. Their live show has taken them out on tour with the likes of Killswitch Engage, Anti-Flag, Soilwork, Between The Buried And Me, The Dillinger Escape Plan and more, with the band also being a part of the 2007 Sounds Of The Underground tour.) 14.00
THE MAKAI - the end of all you know CD (seventh rule - The album is 10 tracks of futility in flames, of dread within desire, of some of the best metal you may ever commit your ear to. On tour w/ INDIAN during summer and if you love High on Fire w/ more guitar loving Dillinger Escape Plan style - you will love this. The End Of All You Know was recorded at The Black Lodge in Chico, Ca and mastered by Collin Jordan (Ministry, RWAKE, Minsk) at The Boiler Room in Chicago.) 13.00
TAPES
FUGAZI red medicine Tape (dischord – analog and sexy on one Tape) 6.00
FUGAZI In On The Kill Taker Tape (dischord – great album on one tape) 6.00
FUGAZI Margin Walker Tape (dischord – my favourite album on tape) 6.00
HOLY ROLLERS s/t Tape (dischord - DC core with progressive and blues rock influence. Diverse, powerful, melodic. This is their last album on tape) 6.00
MINOR THREAT first two 7" TAPE (dischord – this record on an original Dischord Tape) 6.00
SEVERIN Acid to Ashes and Rust to Dust Tape (dischord - pre Capitol City Dusters. Just great rockmusic ala Gray Matter meets later dischord stuff – good) 6.00
BOOKS
OUT OF VOGUE Photo book (heartfirst - a new photobook by a german photographer - 140 pages w/ 47 bands and over 300 pictures. All got shoot in the last 14 years - some bands are Bombenalarm, Career Suicide, Fucked Up, Regualtions, tear it up, Ruiner, From Ashes Rise, Rambo etc) 13.00
T.shirts
BURN same T-shirt (black shirt w/ front and back print, S and M) 16.00
COMADRE euro tour Shirt (some back in stock – black shirt w/ green printing. S/M/L) 12.50